ENTERTAINMENT WEEKLY: Tell me about the emotions of having to say goodbye to Emily Kinney, who played Beth on the show?
ANDREW LINCOLN: Yeah, man. That was such a body blow. I really didn’t see it coming. I had absolutely no idea and I think everyone was reeling from that one. Always when you get about three episodes without a death you know it doesn’t bode well. Everybody starts getting twitchy. Emily is such a beloved person on set and such an incredible actress. I understood it. You get it in hindsight because you know if she hadn’t done such a magnificent job portraying this character she probably wouldn’t be in the firing line, you know what I mean? It’s symptomatic of such a great performance that we needed an emotional impact, and unfortunately, Beth was the character to do it this season, and it was harrowing.
The whole experience of shooting it was, as always, painful. And also you do feel robbed as well because I did not get enough time with her. I remember doing a scene with Emily during the Hershel beheading and she’s such a fine actress. I was in the middle of the scene and I walked forward to the fence having this exchange with the Governor and I remember putting my hand down and reaching out, and as he brought Hershel and Michonne on to their knees and my hand came out, she held my hand. She just knew it was there. It was that kind of amazing sense that she had. I really regret not having more time with her. I actually pitched an idea, I think in season 3. I said, “I think Beth should have a crush on Rick. And Rick doesn’t have a clue how to deal with it. And also, Carl is really upset about it. And then Hershel gets involved as well.” And everybody ignored me as usual. But I thought it was quite a good pitch.
I’ve seen you on set before and you are an intense guy and this was an intense sequence at the hospital. What did you do to get in the right place for filming that?
We all go off and do our own sort of crazy stuff and I think the crew is used to us being a little crazy. Certainly when you do a scene like that which is so odd and upsetting and strange I kind of just listen to music and get quiet before I do it. And then if it’s a physical scene you need to be amped up and I’ll do a physical preparation, but with that one it was just an odd experience because it was a new environment. It was a strange environment with new people, having what should have been a hostage exchange that just goes wrong. It was uncomfortable. I didn’t enjoy it. It’s not an enjoyable scene. And also, to lose somebody that is so important to the group that we would be fighting to find, was unbearable.
And it’s a funny thing because there’s a scene where we come out of the hospital in the aftermath and Norman is carrying Emily and I am sort of leading the way. And I had made a conscious decision that Rick is driven on this, he’s just done on this. He’s gonna push people forward and not get emotionally engaged. I tried to do it. And then having Lauren Cohan and Steven’s reaction to seeing the body carried by Norman was unbearable. I kept having to turn away from the camera because my eyes were just weeping. Tears were rolling down my face. Watching LC and Steven’s performances in that scene, my mind exploded reconstituting that stuff, and then exploded again. They were so good. It was just a bad day at the office, dude. I hate saying goodbye to people at the best of times. But when Emily Kinney, who is such a fine actress and one of the sweetest human beings you are ever going to meet — it was a terribly sad episode. And we’re still reeling. She was family. It sucks.
I know it’s tough for you guys off-screen, but what does the loss of Beth do to Rick and to the group moving forward on-screen?
I think Rick is one of these people that can partition and put it aside and actually use it for fuel to push him and the rest of the group forward. I think he has to because everybody is yet again lost. We have a reunion and we’re back together, but we’re lost. And yet again we’re in a desperate place and we’re in the middle of Atlanta that is overrun. We’re compromised, yet it’s one of these places where he has to step forward as a leader. There isn’t time to dwell on this. He has to keep pushing his troops forward. But whether or not that happens with the other characters is another thing.
Let’s talk about that first scene. You’re chasing this cop who’s fleeing, you hit him with your car, break his neck, then shoot him, then tell him to shut up, which seems a bit out of order. Usually you tell somebody to shut up and then you shoot him!
[Laughs] Your reaction is exactly the same reaction I had when I read the script! I went, “Let me just get this right, Scott. I say ‘shut up’ after I’ve shot the dude?” And he went, “Yep.” And I went “Okay. I’m going to find a way to do this.” I guffawed. Sometimes you have moments playing this role where you just go, “Oh, thank you!” Because you know what? The last episode I was furious. I kept saying, “Why don’t I shoot the bald dude?!? Why can’t I shoot him, Scott? Let me shoot him!” I said, “Scott, I want to shoot this guy.” And he goes, “You’re being tethered by Daryl. Daryl’s your emotional anchor. You’re still anchored by people — your friendships and your family.” And I’m like, “Uggggghhhhhh. I still want to kill him, Scott! I mean, the plan was to slit their throats. Help me out here.” And he goes. “No!” So I was quite relieved when I read episode eight, because of course as usual with Scott Gimple he’s always like, “Wait. We are going to get there. Don’t worry about that.” So I read the teaser and I just went, “Oh my lord! It’s beyond badass. It’s ridiculous.”
But the “shut up” thing was really interesting because the way I justified it was when I echo Gareth by saying “Can’t go back, Bob” — I think that part of it was him going “shut up” to Gareth. Because otherwise, really? I’m saying “shut up” after I shot the guy? Which really made me laugh. And to their credit, [writer] Angela [Kang] and Scott were laughing when they told me. They were like, “Yeah, we thought it would be really cool.” And I was like, “That’s not good enough! You’ve got to give me some help here!” So that’s the way I justified it, is that it was to Gareth. It was extraordinary shooting that scene.
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